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BIOGRAPHY

Joel
Fafard is that rare breed of instrumentalist: the kind whose appeal
reaches far beyond the realm of serious guitar enthusiasts. The gifted
slide fingerstyle player writes stirring, melodic compositions that
paint pictures as vivid as any song with words. He introduces them on-stage
with hilarious commentary delivered in a "hillbilly farm-boy"
stage persona that quickly wins his audience over. And when he sinks
his chops into a number like "Face Down in the Rhubarb," well,
let's just say the serious guitar enthusiasts aren't disappointed either.
Fafard's new CD …and another thing… is his second collection
of moving and atmospheric instrumentals that draw on roots, blues, country,
bluegrass and even Celtic inspiration. Among the highlights
is the lovely, expansive "Mesquite Morning," the moody, Celtic-tinged
"Megan and the Wascana Cyclone" and the instantly hummable
title track. The arrangements, featuring Richard Moody
on viola and Gilles Fournier on bass, have drawn comparisons to early
Zubot and Dawson, while the overall feel of the work has been described
as "simple," "earthy," and "expressive."
Eight of the eleven tunes are reprised as solo guitar pieces
for the CD's bonus tracks.
Many of Fafard's tunes have cryptic titles that figure heavily into
his live show. Not content to simply show off his wizardry, Fafard
proves himself the consummate entertainer, setting up the pieces with
short stories that indicate the source of the title. "It's not
that men aren't romantic," mutters Fafard, playing something of
a redneck caricature of himself, "it's just that we are romantic
about all the wrong things. …like hockey…and trucks…and
barbeque." A few songs later, he intros "Mesquite Morning"
by concluding that, seeing as he's such a romantic guy, it stands to
reason that he'd write a love song to "a big hunk of red meat."
Joel Fafard grew up in Pense, Saskatchewan in an artistic but not musical
family. He picked up the guitar at 15 and took a few lessons
from celebrated prairie musician, Jack Semple. He went on to study
for two years at the well-respected Capilano College music program in
North Vancouver, but ultimately left over "artistic differences."
He is mostly self-taught and counts Bruce Cockburn as the biggest inspiration
behind his current style.
Fafard first established himself in the mid 90s as a folk/roots singer-songwriter,
releasing three albums and earning critical praise for the maturity
of his writing. He toured coffee houses around western Canada
and did a brief stint with Scruj MacDuhk, the predecessor of the Juno
Award-winning Duhks. He appears on their debut recording,
Live at the West End Cultural Centre. In 2001, Fafard released
the roots/rock Head Smashed In, his third solo CD, and took
a shot at touring the bar scene. Despite positive feedback though, he
wasn't happy. He was just about to hang up the guitar once and
for all when he decided to try the one thing he never dreamed he could
actually make a career of: being an instrumentalist.
Three years ago, Fafard traded in the roots rock circuit for the life
of an instrumental headliner, and it's been all up hill from there!
His debut instrumental CD, Rocking Horse, was nominated for a
Western Canadian Music Award for Outstanding Instrumental Recording.
The Follow up CD and ...and another thing received the award
for Outstanding Instrumental Recording at the WCMA's in 2006. CBC Radio
picked a track as the theme music for Between the Covers. "Megan
and the Wascana Cyclone" was featured on Mel Bay's Master's Anthology
for Finger-Style Guitar Solos Vol. 3 . "Voodoo Hoodoo"
appears on the latest volume of Six Strings North of the Border from
the Borealis Recording Company. Fafard has performed at major festivals
across Canada, toured Germany, Switzerland and New Zealand, opened for
Joe Cocker and Burton Cummings and played with members of the Calgary
Philharmonic Orchestra. The Winnipeg Free Press says of him that he
plays "with the sort of instrumental prowess you'd expect from
a fingerstyle deity."
Most recently, Fafard played to sold out houses in Alberta and Saskatchewan
as part of the Wheatstock! tour, a double bill with fellow Saskatchewan
artist, Eileen Laverty. He is currently scoring the second season
of SCN TV series "Middle of Somewhere" with Jason Plumb of
the Walton's. Fafard's songs "Night Crossing" will be heard
this fall on CTV's "Allice, I think." and "Alice in Grenfell
in PBS's "Road Trip Nation"
The number of successful Canadian roots instrumentalists can probably
be counted on one hand, but Joel Fafard is living proof of the old saying
that if you do what you love, success will follow.
Discography
- ...and another
thing (2006) Outstanding Instrumental Recording,
WCMA's
- Rocking Horse
(2003 ) Nominated Outstanding Instrumental Recording,
WCMA's
- Head Smashed
In (2001)
- Farmer's
Tan (1999)
- Scruj MacDuhk
Live (1997)
- Fierce Warmth
(1996)
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